Pro Tools HD I/O rozhraní Tisk
hardwarové rozšíření k Pro Tools HD

 

 



HD I/O

HD I/O 8x8x8
The perfect choice when you need a balance of analog and digital I/O for your music or post-production projects, with the option to expand your I/O.

  • High-quality analog I/O:
    • 8 analog inputs (using DB25)
    • 8 analog outputs (using DB25)
  • Versatile digital I/O:
    • 8 channels of AES/EBU I/O (supports 192 kHz single-wire and dual-wire)
    • 8 channels of TDIF I/O
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
  • Additional digital I/O:
    • 2 channels of AES/EBU I/O (supports 192 kHz single-wire)
    • 2 channels of S/PDIF I/O
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
  • One empty bay for I/O expansion

HD I/O 16x16 Analog
The ideal choice for music productions—get the maximum complement of analog inputs and outputs (can be customized by replacing a card, but not expanded).

  • High-quality analog I/O:
    • 16 analog inputs (using DB25)
    • 16 analog outputs (using DB25)
  • Additional digital I/O:
    • 2 channels of AES/EBU I/O (supports 192 kHz single-wire)
    • 2 channels of S/PDIF I/O
    • 8 channels of ADAT I/O (supports S/MUX II and IV)

HD I/O 16x16 Digital
The ultimate choice for post-production studios, and ideal if you need to interface with a digital mixer, dubber, or other digital infrastructure, and want the option to expand the I/O.

  • Versatile digital I/O:
    • 16 channels of AES/EBU I/O (supports 192 kHz single-wire and dual-wire)
    • 16 channels of TDIF I/O
    • 16 channels of ADAT I/O (supports S/MUX II and IV)
  • Additional digital I/O:
    • 2 channels of AES/EBU I/O (supports 192 kHz single-wire)
    • 2 channels of S/PDIF I/O
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
  • Two empty bays for I/O expansion

HD OMNI

  • Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
  • High-quality, low-noise analog I/O:
    • 2 premium, digitally-controlled mic/DI preamps
    • 4 line inputs
    • 8 line outputs, with true analog gain
  • Versatile digital I/O, with sample rate conversion on all inputs:
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
    • 2x8 channels of AES/EBU I/O
    • 2 channels of S/PDIF I/O
  • Supports 4x8 analog audio streams, or 8x8 including digital
  • Route audio independently from Pro Tools with the 14-input persistent monitor mixer
  • Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control
  • Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
  • Hear your mixes in however many channels you need, from stereo to 7.1 surround
  • Improve communication while tracking with dedicated cue path
  • Keep things in sync with dedicated Word Clock and Loop Sync I/O
  • Compact 1U rack-mountable chassis
  • Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)

SYNC HD

  • High-fidelity, low-jitter master clock
  • Near sample-accurate lock to timecode or bi-phase signals
  • Word Clock I/O up to 192 kHz capable
  • Supports all major industry-standard clock sources and timecode formats
  • Supports SD and HD video reference input (tri-level sync) up to 1080p / 60 fps
  • Supports standard pull-up/pull-down rates for film/video
  • Video input with timecode window inserter

HD MADI

  • Send and receive up to 64 audio streams between Pro Tools|HD and other MADI devices
  • Maintain maximum audio fidelity, with up to 24-bit, 192 kHz sample rate support
  • Gain connection and routing flexibility through optical and coaxial connections:
    • 2 MADI inputs (optical and coaxial)
    • 2 MADI outputs (simultaneous optical and coaxial)
  • Forget having to match sample rates, thanks to built-in SRC on all I/O channels
  • Completely integrates with Pro Tools|HD for full input, output, and routing control
  • Sync to an external clock through dedicated BNC Word Clock and XLR AES/EBU connections when using SRC on output
  • Keep things in sync with versatile Clock support, including Internal, Loop Sync, Word Clock, AES/EBU, and MADI
  • Gain better device compatibility with 64-channel (non-Varispeed) and 56-channel (Varispeed) support (at 48 kHz)
  • Integrate Pro Tools|HD with MADI-equipped VENUE live sound systems for recording and Virtual Soundcheck
  • Verify and troubleshoot signals through status indicators and global I/O signal LEDs
  • Compact 1U rack-mountable design overcomes space limitations
  • Connects to Pro Tools|HD through two DigiLink Mini connections (32 audio channels each; cables and adaptors included)

PRE

Capture pristine, high-quality sound with PRE. Featuring eight discrete, matched-transistor, hybrid mic preamp circuits, PRE provides a transparent signal path, and easily accommodates your mic, line, and direct instrument (DI) level inputs on all eight channels. Plus, you can place PRE anywhere in your studio, thanks to its remote-controllable operation, which you can access through Pro Tools HD software or an Avid control surface. And because PRE also functions as a standalone device, you can get the same sonic quality when working with any application and outboard sound module.

 
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